11/20/2022 0 Comments Blue is the warmest colour review![]() ![]() Most of the people who write for this site will know what it’s like to discover and come to terms with your sexuality, yet what’s so great about it is that the lesbianism is little more than a feint through which some simple but universal themes can be explored. Adèle’s confusion about what she wants, Emma’s insecurities about her work and the conflict between their different backgrounds culminate to create a story that we can all relate to. You don’t have to be a young lesbian to “get” this film. Similarly, the film tells a tale that will appeal to everyone who has ever fallen in love. Their individual eccentricities and insecurities shine through with real nuance and subtlety, and no matter what else is going on it is impossible not to care about them quite deeply. Thanks to them this isn’t a film about lesbianism – heck, it isn’t even a film about a lesbian relationship – rather it is a film about Adèle and Emma. Each laugh, each tear, each simple emotion is captured so perfectly by both of them that all of the other characters just fade into the background. I felt able to invest in their relationship from the word go because they both embrace their roles with vigorous passion. It’s been a while since I’ve seen performances quite this powerful, and for such young, relatively inexperienced women they’re utterly superb. The strength of the film rests on the shoulders of the two magnificent performances from Exarchopoulos and Seydoux, both of whom more than deserve their special Cannes award. The film takes us on a journey in which we discover all the intricate details of both of their personalities, from their ambitions to their insecurities, from their beliefs to their fears and even their deepest sexual desires… more of which shortly. Six months on the film has opened to near-universal acclaim from all sides of the critical spectrum, even in the face of colossal expectations, and is now a real contender for the title of best film of 2013.īased on the graphic novel of the same name by Julie Maroh, Blue is the Warmest Colour is a film about two young women – Adèle (Exarchopoulos) and Emma (Seydoux) – who embark on a beautiful but intense relationship that spans almost a ten-year period. In a major break with precedent, the Cannes jury decided to bestow the award not just on the film’s director, Abdellatif Kechiche, but also on its two central performers, Adèle Exarchopoulos and Léa Seydoux. There has been a lot of hype about Blue is the Warmest Colour – known in its native France as La Vie d’Adèle: Chapitres 1 & 2 ( The Life of Adèle: Chapters 1 & 2) – ever since it won the Palme d’Or at the Cannes Film Festival back in May. In My Opinion, This Article is Overrated… - 25 April, 2014.Benny’s Video – Austria – EuroVisions of Cinema - 7 May, 2014.Blue is the Warmest Colour is, for the most part, an admirably authentic tale of a seminal love affair and that harsh borderland between adolescence and adulthood, but its failings may inspire some viewers to explore the rest of the genre. The main issue is the confidence of the supposedly virginal Adele and the lingering camera that conveys authenticity in other scenes seems rather more voyeuristic here. There is sufficient artistic merit to avoid the label of pure pornography – but only just. Viewers are brought into this sometimes claustrophobic intimacy via camera work that lingers on the corner of a smile or the curve of an inner arm, much as a lover’s gaze would do and touches of blue remind us constantly of Emma’s importance in Adele’s life.įor a tale so determinedly grounded in realism, the much-discussed sex scenes are the film’s Achilles heel. Leaving aside the gender of the two protagonists, Blue is the Warmest Colour is a very tender, naturalistic tale of blossoming romance, self-exploration and the personal growth that often accompanies the pain of loss. When they embark on a romance, Adele begins the slow transition into adult life with all of its pleasures and responsibilities, loneliness and regret. When she randomly passes the blue-haired and arty Emma ( Léa Seydoux) on the street, Adele is magnetically drawn to the older girl. But it’s obvious that Adele, despite her popularity, doesn’t quite fit in. Adele’s world revolves around the usual preoccupations: boys, friends and school. On the surface, this is the straightforward story of Adele ( Adèle Exarchopoulos), a beautiful and bookish teenage girl, and her coming of age. Lengthy and explicit sex scenes, and allegations from cast that working conditions bordered on abusive, combined with a slow pace and lengthy running time, provide plenty of debate fodder. Abdellatif Kechiche / France/Belgium/Spain / 2013 / 179 minsĪbdellatif Kechiche’s Blue is the Warmest Colour was nominated for a BAFTA and won Palme d’Ors for its two leading actresses, yet it’s also steeped in controversy. ![]()
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